Is the Sword & Sorcery genre inherently anti-feminist?Gruesome animated barbarian show from 2006 (like an...
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Is the Sword & Sorcery genre inherently anti-feminist?
Gruesome animated barbarian show from 2006 (like an animated Conan the Barbarian)Fantasy book where a sword is imbued with rune magicPlease help identify a short Sword and Sorcery story about a city of torturersA Conan the Barbarian story about a city in which everyone is constantly high with some kind of lotusGruesome animated barbarian show from 2006 (like an animated Conan the Barbarian)
A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-feminine-centric DeathStalker II (1987).
The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.
My question is - was there ever any branch of this genre that forayed into modern feminism?
sword-and-sorcery feminism
add a comment |
A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-feminine-centric DeathStalker II (1987).
The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.
My question is - was there ever any branch of this genre that forayed into modern feminism?
sword-and-sorcery feminism
add a comment |
A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-feminine-centric DeathStalker II (1987).
The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.
My question is - was there ever any branch of this genre that forayed into modern feminism?
sword-and-sorcery feminism
A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-feminine-centric DeathStalker II (1987).
The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.
My question is - was there ever any branch of this genre that forayed into modern feminism?
sword-and-sorcery feminism
sword-and-sorcery feminism
edited 2 mins ago
vallismortis
asked 7 mins ago
vallismortisvallismortis
918324
918324
add a comment |
add a comment |
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